By: Dan Granger

A neon sign hangs in our office that reads, “Here’s What We Need to Do.” At Oxford Road, our agency business depends on us being a consultancy as much as a service provider. So the quality of our recommendations is the most valuable asset we bring to the market. Besides, everyone has already put out their ’22 predictions, and predictions are only as good as the action they spark. We’re in the performance business and much more concerned with outcomes, so let’s try something new. 

These are the seven key initiatives that would demonstrably expand and optimize the podcast industry in 2022 presented as headlines we wish would be published before this time next year: 

  1. Top Podcast Networks Join to Create Standard Disclosures for the advertising community

With hundreds, if not thousands, of shows and networks all making up their ad policies and few actually publishing what they have for the advertising community, media planning is much more arbitrary than anyone would like to admit. Several major networks create policies and do not notify their ad partners until an Insertion Order has been rejected for reasons never disclosed. How do you value a program based on CPM when there is still no consistency in reporting features like unit load, unit type, unit length, or talent engagement? Networks would benefit from a more informed buying community and justify premiums applied to different content and ad units. Here are some of the items we’d like to see uniformly published for media buyers:

  • Standardized unit classification between produced ads, producer voiced, Talent Voiced, Talent Endorsed, Baked-in, and Dynamically inserted
  • Ad Load disclosures sharing unit length of ad units per hour
  • Separate pricing schedules for pre-rolls and mid-rolls, respectively
  • Clear lines of Demarcation between shows that focus on News vs. Opinion
  • Talent levels of involvement in ad campaigns (e.g., “Approves sponsors, willing to use advertiser offerings personally, joins onboarding discussion, wants campaign feedback…”)
  • Standardized exclusivity policies, so advertisers know if you allow competitors to have ads voiced by the same talent on the same program

2. Host Read Ads Include Category Exclusivity as Standard Feature

Host has a credible relationship with their audience. Host refers products and services to this community of trusted followers. Trust is transferred while ad resonance and response rates soar. This is nothing more than a feature in Radio, but host endorsements are the whole ballgame in Podcast. This is what propelled the business from zero to $1B+.

Now leading networks are trying to walk this back and not in a clever way.

In many cases, you can now purchase a Host-read ad placement. Want category exclusivity? You’re gonna pay extra for that. That effectively means that networks are willing to rent out the credibility of talent. Still, if you don’t pay an additional premium, they might just endorse your direct competitor in the following episode. Never mind how frustrating this is for advertisers; just think about how destructive this is for the hosts they represent. If I tell you to take my recommendation and purchase a Moink Box in one breath and Butcher Box in the next, what does that say about my integrity and trustworthiness as a recommender of goods and services?

We have forecasted for years that Radio and Podcast would morph into one another. Indeed, there will continue to be a greater emphasis on courting large brands to place big buys using only produced ads, without the risks associated with Influencer marketing. But as a performance marketing agency, we know empirically that the best-produced ads can only perform at a fraction of what a host endorsement can provide. Host endorsements should cost more and often justify the $40+ CPMs we currently see in the marketplace. But you cannot cheapen the golden goose. You must protect categories for a reasonable period (think 90 days+) for talent to maintain credibility. The new dominating forces in this industry have not yet accepted that you cannot scale double-digit CPMs for ads that are not host read. So the alternative to the endorsement ad is overpriced by hundreds of percentage points. Until this gets straightened out, large companies who paid hundreds of millions to acquire buzzy networks will continue to undermine trust in the marketplace by allowing talent to self-sabotage the relationships they have built with their audiences, imagining that trust can be diluted without consequence. It cannot.

3. Networks Drop “Forced Combo” on All Ad Buys

How would you like if all restaurants required that you purchase a pre-set menu or nothing at all? How would you like if Amazon would not allow you to buy individual items unless you bought a bag of other goods they want you to purchase, even if you don’t want them? Unfortunately, this is now standard practice for leading networks refusing placements on individual shows unless you also buy their leftovers. In some cases, smaller shows are not allowed to be purchased ala carte unless accompanied by a more considerable buy across a network. Worse, struggling creators are being denied monetization because some sponsors desirous of their offerings are required to purchase other shows, even if unwanted. Friends, this is crazy. As a buyer, it makes good sense that volume placements unlock discounts, while one-off purchases command a premium. However, to require customers to buy more than they need or want is bad business and entirely unsustainable. Networks would do well to proactively change these abusive policies before more press, and more of the market takes note of it, as this current fad is greedy and shortsighted, leaving a bad taste in the mouths of would-be purchasers.

4. Local News Outlets Join Together to Form Regional Podcast Networks

With the rise of digitally native publishers like Axios launching local news initiatives and movements like Protect Our Press advocating for efforts to save the industry, local media publications should band together, even with competitors, as a joint venture to launch regionally focused podcasts. Local didn’t make sense for many years when Podcast reach was too small to succeed in local markets. Still, as we go from being a newly minted Billion Dollar Industry to becoming a Multi-Billion Dollar Industry, these efforts will become much more viable. Either local news brands will create it themselves, or national brands will launch local initiatives. Of course, enough infrastructure already exists through local radio. Still, there does not seem to be a cohesive strategy binding together regional voices and providing more significant opportunities for scale among local advertisers, who are still holding their dollars on the sidelines. Legacy radio companies were slow off the starting block with podcasts and are now working feverishly to transition into the new world. It’s not too late for them to leverage their success in amassing local resources yet, but it will be soon.

5. Meta launches Promotion Tools, Allowing Creators to Grow Audience Through Facebook Ads

Whatever you may feel about Meta (Facebook/Instagram), its advertising policies, or the privacy challenges that are crippling ad spending, it’s still Podcasts’ most viable potential growth channel. With more than half a million creators actively making shows, there is a robust and fertile market desperate for new ways to grow their audience. New reports are sharing that even the frenzy of large shows and network acquisitions over the last few years is not yielding enough hits to satiate creators and investors. Facebook has the potential to stay in their wheelhouse by doing what they do best; making it easy for marketers to efficiently deploy significant ad dollars to produce measurable outcomes. While it’s interesting to watch them get into the Podcast game as a distribution platform, to break into the platform wars and stand out from Spotify, YouTube, Amazon, and Apple, they’ll need a competitive advantage. Ease of promotion would do just that. Meanwhile, it would significantly expand the industry’s addressable market by helping slower adopting users engage with the channel. All this would open up massive new and diversified revenue streams as networks, and independent creators outspend each other to build their audience and create an edge over the competition. YouTube has similar capabilities, except that Facebook’s ability to embed shows that you can listen to while scrolling through your feed allow for a level of scale that would be transformative for the industry.

6. Top Podcast Companies Offer Airchecks and Transcripts Standard for All Advertisers

Perhaps I am biased because I started my career in local radio sales and had to manually pull and share all airchecks with paying advertisers as proof of purchase and quality control. But when you buy something, there should be a receipt. And when you purchase something bespoke, there should be quality control measures in place to make sure your widget was delivered as ordered. So why do our industry manufacturers largely leave it to their customers to provide quality insurance for the items they purchase? I am confident this is too obvious an issue to belabor, and that reason will prevail over time. But these are the types of problems that make the industry less user-friendly than expected and receive elsewhere in the advertising community. The fact that most ads are customized with each insertion introduces a level of complexity that many may choose to ignore but cannot ignore forever. Creators and networks would do well to agree on a transcription and aircheck process. This process should include a quality report showing that expected language was delivered properly in purchased ads and that excluded language was not. To get a jump on this, you can reach our transcription partner here.

7. Podcast Industry Gets Serious About Brand Safety, Releases Content Ratings

It’s enough that Podcast is another user-generated media Ecosystem with no FCC involvement, no standards and practices, and virtually no known corporate policies allowing brands to take comfort (or at least shift blame in times of controversy). While we’ve written, spoken, and created protocols ad nauseam to help brands navigate the terrain, it’s time for the creators, networks, and platforms to start getting serious if they want to continue courting larger ad spenders. How can blue-chip advertisers feel safe trafficking ads on content recorded on a computer and uploaded without any content filters whatsoever?

Networks could band together and create our industry’s version of the Motion Picture Association Ratings. Hopefully, something even more robust so that brands could match their standards and values with like-minded content. Even better would be meaningful tools to offer a Values-based planning approach to brands based on things like the GARM Brand Safety Floor and Suitability Framework. With so many available transcription tools and advancements in AI and Sentiment Analysis, technology exists to make this a reality in 2022.

Through Oxford Road, we have already created or are in the development of some of these solutions for our clients and will have updates to announce throughout the year. Others are of high interest but not yet on our road map for development and execution. If you read something that connects, I invite you to reach out to me to discuss. We’re happy to collaborate with anyone who wants to protect and evolve our industry.

Dan

P.S. Disclaimer: The recommendations above include industry developments that may financially benefit Oxford Road, the ad agency which publishes, The Influencer, and its interests in companies that provide solutions to the podcast industry. 

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If you’ve read this far, thank you!

The Influencer is a production from the team at Oxford Road.
If you like our sometimes sassy, mostly informed POVs on the wonderful world of audio advertising, you should see what we do for our clients.

Interested in seeing how we could help your business?
Contact us at influencer@oxfordroad.com!

Thank you to the team that puts The Influencer together each week:

Ezra Fox – Media Roundtable & Ad Infinitum recap
Spencer Semonson – Classifieds
Neal Lucey – In Case You Missed It
Hannah Lloyd – Save The Live Reads

Editors:
Kyle Jelinek
Kristen Larson
Haley Wiese

 

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Stew and Richard talk Simplicity, Big Ladles, Concrete, and more. Let’s dig in…

“[It’s] always easier to work with human nature than against it.” – Richard Shotton (Author, Hacking the Human Mind)

Simple is Smart – To sound smart, keep it simple. In a study with simple and complex versions of the same text, readers said the simple version’s author sounded smarter. Why?  Big words confuse the audience, and they blame the writer. So make your talking points simple. Hosts will love you, and you’ll sound smarter, too.

Get the Big Ladle – We think information is the big blocker to action, but actually, it’s ease. A study showed that people ate more vegetables when a large serving ladle was used instead of tongs. CAOs, reflect on your current setup. Is it ridiculously easy for customers to sign up? Or ridiculously easy for hosts to read your copy (see above)? Whatever the challenge, instead of adding new info, try greasing the wheels first.

Words like Concrete – Studies show people remember concrete phrases (“white horse”) 4 times more than intangible ones (“subtle fault”). Look over your copy. If you want it to stick in people’s minds, skip the floating abstract words and firm up the copy with sturdy, concrete words and phrases.

Want more research-backed insights to make stronger audio ads? Tune in to the full episode here:


The Classifieds

Old School Gamer Finds New Strides on YouTube

Network: eSports Talent Management LLC / Monthly Downloads: 250k

Before there was Candy Crush, Cyberpunk, or Baldur’s Gate, many gamers found themselves logging in daily to RuneScape. The nearly 25-year-old game is a massively popular fantasy MMORPG. Though the graphics may look primeval, the fandom around this longtime giant is as fervent as ever. TorvestaRS is a UK YouTube channel entirely devoted to finding new and exciting ways to enhance the gaming experience. The videos are a mix of gameplay, strategy, and humor, often reliant on internet slang terms and meme culture. The subscriber count is currently at a respectable 500k, and this creator is exceptionally good at publishing content regularly. This is heartily recommended for anyone looking for a loyal, tech-aligned male audience. Don’t be an NPC in your own game of life. Click below to unlock this rare collectible for your media plan.

Get The Deal

The Critic Gets a Classified

Network: Solaro Consulting Inc. / Monthly Downloads: 120k

YouTube is an exceptional place for niche celebrities to find a dedicated audience. Our second channel is hosted by just such a figure. Karsten Runquist built a significant following through Letterboxd, a social media platform for cinephiles. At the same time, his YouTube channel exploded in popularity. He’s now lauded as a prominent figure in the internet age of film criticism. His content is a mashup of nostalgic throwbacks, theories around mainstream classics, and topical essays on new releases. He covers many series, franchises, and award-season contenders, attracting film buffs from all walks of life. Karsten is a reliable publisher who never misses an episode and, thanks to his popularity and brand-safe approach, has built many long-term DTC and B2C partnerships. For those looking to test TV & Film opportunities with strong engagement, this is a key offering. Grab your popcorn and novelty cup and watch a masterpiece via the link below.

Get The Deal


In Case You Missed It

Podscribe’s Early Holiday Gift To Advertisers

Podcast ad loads hit a new high of 10.9% in Q3 2025 (highest ever tracked), up 10% year-over-year, but Podscribe’s Q4 Benchmark Report shows 70% of advertisers still saw strong CPA improvements with higher net-new reach. 60% saw a positive correlation between conversion rates and first-time listeners, particularly pronounced for big spenders (over $400K/month). Heavy frequency buys underperform, with Podscribe warning that repetition can turn “persuasion into punishment.” Host-read ads prove more resilient to higher ad loads than producer reads. As always, there are tons of benchmark data in the report. One new area that stood out to us is benchmarks by industry and by genre. Also, if you’re curious about how (rising) ad loads impact performance, check out our case study on the subject.

Read More

iHeart Says Humans Only

iHeartMedia is rolling out a “Guaranteed Human” label across all stations, from hourly legal IDs to sweepers, positioning themselves against AI-generated content. Their research shows 90% of consumers want media created by real humans. 92% say nothing can replace human connection (up from 76% in 2016), and 96% find “Guaranteed Human” content appealing. This is a good move by iHeart to capture press attention and to reassure listeners of authenticity in this new AI world. But here’s the thing, synthetic voices are not new. The technology dates back to the invention of the Vocoder in the 1930s.

Read More

Spotify’s Year of Transition

Spotify admitted 2025 is a “transition year” for its ads business and doesn’t expect growth to improve until the second half of 2026. For the first time, nearly 1,700 brands advertised on podcasts in Q3—a 41% increase from Q2. Brand awareness campaigns  now account for 56% of podcast ad spending, while direct response dropped to 41%. 1,700 new brands in one quarter means competition for inventory, putting intense pressure on a supply-and-demand marketplace. Lock in deals now. 2026 could see a change to a “sellers” market.

Read More


#SaveTheLiveReads

Chewy Decks the Paws For the Holidays

Dan Le Batard kicks off this holiday season by reminding us ‘tis the season for great ad reads and cute pets. The sports aficionado partners with Chewy in this week’s Save The Live Read to talk about the two things he loves the most: good quality pet products and his dog, Roma. He kicks things off with a sweet holiday moment featuring Roma—decked out in seasonal gear, of course, which instantly sets a cozy, relatable tone. He also takes that opportunity to pivot into one of Chewy’s charitable ventures, donating meals to pet shelters, but also doing good. He also praises the brand’s quick and convenient delivery, as if there weren’t enough reasons to sign up for your first box! The ad rings with holiday cheer and spirit, with a sincerity that we’re sure caroled in a slew of first-time orders. If you want to hear what cozy holiday feelings sound like, click the link below.

Listen Here

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If you’ve read this far, thank you!

The Influencer is a production from the team at Oxford Road.
If you like our sometimes sassy, mostly informed POVs on the wonderful world of audio advertising, you should see what we do for our clients.

Interested in seeing how we could help your business?
Contact us at influencer@oxfordroad.com!

Thank you to the team that puts The Influencer together each week:

Ezra Fox – Media Roundtable & Ad Infinitum recap
Spencer Semonson – Classifieds
Neal Lucey – In Case You Missed It
Hannah Lloyd – Save The Live Reads

Editors:
Kyle Jelinek
Kristen Larson
Haley Wiese

 

george costanza